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In a lot of ways it makes sense for Varys to waiver in his loyalty as Tyrion mentioned, he's served quite a few kings on opposing sides of wars. But handily, he now has a new brooding candidate to throw his weight behind. Varys wants her to avoid slaughtering the people she says she wants to rule, but Dany spouts off vague statements about her destiny to remove tyrants and the sky falling, and now Varys is concerned.
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Her reaction to the ambush and Missandei’s capture is to suggest her favorite terrible strategy of full frontal assault of King’s Landing.
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It is now clear that the series is setting up an ending where Dany will go full Mad Queen, just like her father: predictable, boring and disappointing after all this time. Tyrion, meanwhile, tells Varys, in a bit of unintentional troublemaking. Sansa is the first Stark to spill the big Aegon Targaryen secret: She tells Tyrion, in a bit of intentional troublemaking for Dany. It seems like writers wanted Bronn to confront the Lannister brothers, and couldn't be bothered to figure out how and why. I don't think the "why" is important anymore. (Arya stabbing the Night King, for one recent example.) A generous reading is that there isn't much time left, so writers are skipping over some exposition, but I don't think that's what's happening here. "Thrones" has an annoying habit of arriving at moments without feeling the need to explain how it got there. Wait, what? How did Bronn find Jaime and Tyrion? How did he know they happened to be vulnerable? Why should he trust Tyrion's promise? Why is he betting on Cersei to lose? Just, why? Jabbering like he's drugged, Bronn tells them about Cersei's offer of Riverrun, but eventually he accepts Tyrion's "double" offer of Highgarden and walks out, promising to come back for his reward after the war. The episode returns to Tyrion and Jaime, who are at a tavern discussing Jaime's decision to stay in Winterfell with Brienne, when Bronn strolls into the room with the crossbow aimed at them. Dany, continuing her brilliant (read: horrible) battle strategy, wants a full-court press to the south, even as Tyrion counsels restraint to prevent a bloodbath in King's Landing. But the relationship between Queen and Hand is strained at best. Oh, and the Golden Company has arrived in King's Landing. They lost half their forces in the Battle of Winterfell, the dragons are both badly injured and everyone's tired. Once everyone's hangovers have abated, Dany holds a war council to plan "The Last War," only things aren't looking too great. When he protests that he wants to tell Sansa and Arya, Dany gets cold and draws away. When she and Jon are alone, he recoils and the two fight, not about their incestuous relationship, but about the claim to the throne he doesn't particularly care about.ĭespite Jon literally bending his knee for her, Dany doesn't trust that his claim will go unsupported, and begs him not to tell anyone his secret. Or maybe it does, because “Thrones” hasn’t proven itself to be particularly well-written over the past four weeks.Įlsewhere in the great hall, Tormund loudly and proudly extols the gospel of Jon Snow in front of Dany, who is insecure about her nephew/lover's claim to the Iron Throne. Not only is that an incredibly offensive, gross and inaccurate depiction of trauma, it’s also a tired, hacky Hollywood trope (the "strong female character's" backstory is rape!) and has no place in this show.
With a little over two hours of screen time, one dragon and a few scattered stories left to care about, the series' biggest enemy of all might just end up being itself.Īfter years of criticism over its treatment of sexual violence, “Thrones” had to get one last turn of the knife by having Sansa be thankful for her rapes.
Each episode seems to write the series further into a corner from which it can't escape. Just two episodes remain in this series, but it doesn't feel like "Thrones" is heading toward any type of conclusion, let alone a satisfying one.
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Dany's quest for the Iron Throne, and the wrench Jon's parentage throws into it, just don't have the same emotional wallop as not just the White Walker battle, but all the other skirmishes for control of the Seven Kingdoms that populated Seasons 1-6. Measured against Ned's desperate attempt to cling to honor in the capital or Olenna's poisoning of Joffrey to save Margaery or even the High Sparrow's beatific smile, Dany's furious face outside the gates of King's Landing just seems like a meme waiting to happen.ĭon't walk alone with winter coming: All the news, recaps, thoughts and plot analysis right to your inboxĪs has been the pattern for two seasons now, the episode was filled with lapses in logic that were too irritating to ignore, plus a plague of idiocy on the part of most of its supposed heroes.
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